Wednesday, April 13, 2011

Back so soon? . . .

I had a distinct impression you’d be back. Even before you’d arrived I had Serge prepare the same drink you had the last time. I assume someone who comes in to a lounge two weeks in a row by themselves at such a late hour to sit in soft light and conversate strikes me as someone who would have a usual. But if you were interested in branching out tonight we’ll count this drink as the evening’s welcome-back. Correct me if I’m wrong, but I assume you’re coming back for something more than alcohol, and the reason’s not likely to be the carpet or the flaking paint. Serge is an interesting story, but, unfortunately, I don’t talk about the people I work with.

Telling tales of the average customer who walks through the door is easy enough: I don’t have to worry about the boring details and how given the context what they said really wasn’t all that bad and whatever else—all things that get in the way of a good story. Not that Serge would likely do much of any of that. He’s quite tight lipped about details, and the angels as well as the demons are in the details so all I’m left to work with is a quite mortal story that leaves most of everything to the imagination, the bastard.

A life lived without being attentive to detail is one not worth being spoken of amongst spirits, ethereal or ether-eal. You can be the type who wouldn’t care to give them, but ignore them is something completely different. On the one side is sophistication; the other side is for those who would rather watch a sitcom than sit behind the window of a café and invent stories of all the people who walk by. And give you so much with just a walk-by that you hardly need to invent at all: the way the hands swing, the colours they wear, how they hold their face. But why am I telling you? You’ve done this more than anyone.

I’ve arrived at this from you’re reappearing here and drinking the same cocktail and asking for the same seat. It leads me to believe that you are someone who enjoys the detail, the marrow. And I can assure that the Bonne Nuit offers all sorts of intricacies, it’s is a place built up from detail: stories lodge themselves underneath the tables to keep them from wobbling, they polish the mirror behind the bar so you can clearly see yourself, they fill the cracks to keep out the drafts, they make sure the door is not ajar, they wrap themselves around the lights to warm them, to keep them from glowing cold and hollow. That is what details are to this place. And they rub off on you. There’s a new detail in how you’re holding your glass right now that you didn’t the night before.

As I was saying, devil’s in the details, everything else, and of course I have a story that jumps to mind. Two days ago, two gentlemen come in for lunch on that beautiful spring day and sit against the wall near the entrance. They’re dressed as the same person: fitted suit jackets, pants with perfect seams, costly watches and shoes with fine laces tied in uncomplicated knots, though one can find differences if looking attentively. The one I come to know as Darryl, the one facing away from the window, is your stereotypical tall, dark, not-quite-handsome-but-not-quite-ugly type, straddling the line between GQ perfume advertisement and neanderthal brutishness. He had what I’m sure was an intentional five o’clock shadow and strong eyebrows (the eyebrows seemed to be intentional as well), and when he sat he immediately took the menu in hand, not pausing to notice some of the women who had come in taking cursory looks at his jawline and groomed sideburns.

His friend, Morgan—of a similar build and style—took a moment to straighten his pants before he sat down, though the point seemed moot considering his pants were hemmed too short. Not that you could see the bottom of his knees, but this being the sort of lounge that it is those who come here can tell if you’re right or left handed by the hem of your pants. He sat down and brushed his straw-hair behind his ears, taking care not to touch the pieces that fell on his forehead. He leaned back in his chair, placed his arm over the backrest while interlocking his fingers and looked around the Bonne Nuit at all the women appreciating Darryl’s uniquely-sculpted façade, and then out the front window.

“You’ve really never been here before?”

Darryl kept looking through the cocktails, giving an answer that either showed him to be an incredibly curt or effortlessly annoyed kind of person. “I haven’t.”

“You need to come here. This is the sort of hole-in-wall-place that people remember, and then when they go to that place they think of you.”

“I know we’re in advertising but do we have to live our lives like it?”

“I just mean for people in the industry. You’ll have an easier time making connections if you can be the guy who knows all the hidden trebuchet’s around town.”

“I don’t think . . . never mind.” Darryl tucked the drink list between the table and the wall and folded his hands on the table. “So what ‘guy’ are you then?”

“I am many guys. No one guy defines me.” Morgan smiled at the server as she approached. The two ordered light cocktails, Darryl taking care in his pronunciation and Morgan rattling off several details about how he liked his drink and how he was sure the bartender was competent enough to make it, he’d been here before. The server smiled, took a glance at Darryl who was inspecting a dry patch between his second and third knuckle, and walked toward the bar. Morgan watched her walk away. “If there’s any guy I try and be it’s the one who notices when the server is taking glances at me.”

Darryl looked up at Morgan who subtly pointed to the bar.

“I think she took a shining to you.”

Darryl went back to inspecting his knuckle.

Morgan looked over his shoulder and watched the server lean over the bar, play with her notepad, fix the placement of her shoe by pressing her left foot into the floor. “What do you think of her?”

“She’s fine.”

“Darryl, there’s a difference between being married and almost married, just give me a quick beef rating.”

Darryl dropped his hand to the table and looked at the server. “Low choice cut. Ask her out.”

“Of course I would ask her out, I’ve been in a dry patch for the last couple of months, I was wondering if you could get Najya out of your head for a moment and give an objective opinion.”

Darryl leaned back in his chair and placed his hands evenly on his thighs. “Stop trying to work up momentum with me and just ask her out.”

“She’s not even looking at me, she’s looking at you, and you can’t ask a girl out where she works, you novice.”

“You mean cowards can’t.” And after Morgan saw Darryl’s smile he smiled back and the two smiled at their server when she brought them back their drinks. She quickly went to the next table without making eye contact.

“Do you think she heard us?”
“You wouldn’t have asked her out if she didn’t so what difference does it make?” The two sipped their drinks. Morgan kept his glass no further than three inches from his mouth at all times while Darryl placed his drink back on the table looking like it didn’t taste like he thought it would. He licked the inside of his cheek before carrying on. “So what’s going on with all your current prospects?”

“All dried up, I’m afraid.” Morgan took another draw from his glass.

“You lost the account with Campari?”

“Oh, you meant business prospects, I thought you meant women. Campari has to get back to me but I’ve got them, and you want to know why? Because the Vice CEO called me and said that they just went to Migurney’s downtown and they thought of me.”

“So the trick works.”

“The trick works.”

Darryl waited for Morgan to expand on his business, but Morgan just kept looking into his liquor. “So things with Alicia didn’t work out I’m guessing.”

“That was weeks ago, where have you been?”

“Was there someone after Alicia?”

Morgan thought. “Katie.”

“And what happened with Katie?”

“She said she wanted to be friends and that she’d call me.”

“And did she call you?”

“No.”

“Why?”

“Because I told her not to call me.”

When Darryl’s cheeks stopped clenching he placed the glass back on the coaster. “I can’t remember the last time I had a gimlet this tart.”

“Have I told you I respect what you and Najya have? I have this understanding now of how hard it is to find someone like that. And to keep it. I used to think it was so simple.”

Darryl offered the usual conciliatory response of, “I’m sure there’s someone out there for you too.”

“I’m not sure anymore. I used to have three things going on at once and now I’ve got nothing. And then the other day I was trying on suit jackets, did I tell you about this?” Darryl shook his head. “I was trying on a dress shirt for Andrew’s wedding and the guy working the change room made a pass at me.”

“What sort of pass?”

“I asked him what my shoulders looked like in the back and he said ‘As straight as’ and then he trailed off and went back into the change room mumbling to himself.” Darryl tried to interject but Morgan cut him off. “He had a look on his face too, okay? Anyway, I bought the shirt—“

“Of course you bought that shirt.”

“I bought the shirt and then I spent the rest of the afternoon wondering if I should just be gay.” Morgan took another hit of his drink, leaving a barely visible portion for the ice to sit in. “I seriously considered it, the lifestyle.” Morgan stared into his glass, as though he had just revealed a hole he had been trying to cover up, as though he had just renounced Mother Church of which he had been a deacon all these years. Neither spoke for a moment, forcing Darryl to move the conversation along.

“So what did you come up with?”

“Well, I have to admit something first.” He looked up at Darryl. “I imagined us as partners.”

“Why the hell would you pick me? What about Liam? Liam’s a much more obvious choice.”

“I didn’t think we’d get along as well.”

“Well what about Grant.”

“He has awful cologne.”

“You mean you considered other people beside me?”

Morgan lifted his cup, “Congratulations,” kicked back his head and drained what was left. He pushed the glass to the end of the table, signaling to Choice-Grade server that he needed another. “There was a lot more than just considering which of my friends are the gayest. There was compatibility, habits, interests . . .” He trailed off while Darryl spun his glass. After a decidedly long consideration of other possible topics to segue into, Darryl bit his lip and asked out of the side of his mouth:

“So how much did you consider?”

“I didn’t . . .” Morgan swallowed the rest of the sentence as their server came to ask if he’d have another drink. He nodded and watched her walk back to the bar and Morgan continued, now conscious of how many people were sitting around them. “I just thought about the day to day life of it. The relationship part.”

Darryl kept spinning his glass.

“For example. You don’t like to drink very much and I do, so that would work out if we ever had to go to a party together. I’m a talker, you’re a listener, I’m outgoing, you’re an introvert, neither of us is anal retentive (get rid of that smirk, you know what I mean), and we both hate the Rangers. What could go wrong?”

“You can’t just make a relationship out of—“

“You also like to drive and I don’t. We’re roughly the same size, so there’s the clothes-sharing thing that some couple do.”

“I wouldn’t be comfortable with that.”

“Okay, so we wouldn’t share clothes, and I wouldn’t be the type to get bent out of shape about it so that’s another thing we wouldn’t have to worry about. You have your side of the closet, I’d have mine.” Another hush blanketed the table as the server returned with Morgan’s drink. She told Darryl that the bartender was wondering what he thought of his drink and Darryl said he liked it and she said it was because he was trying a new balance and if he didn’t like it he could send it back. Darryl nodded and said he liked it fine and she smiled and he smiled back and she walked back to the bar. Morgan took the opportunity to elaborate. “And I know you have a problem returning food you don’t like—“

“It’s not a problem, I just don’t want to be rude—“

“So we could just switch plates if you didn’t like something and I could do it for you because I’m a jerk anyway.”

Darryl considered. “I do like every book you give me.”

“And how often do we go to see movies because Najya isn’t interested in anything you want to see?”

“Najya doesn’t . . .” Darryl paused, stared off into space, took another drink, winced. “Where would we go on holidays?”

“I was thinking Sao Paulo.”

“Good choice, interesting enough to tell people but not a cliché.”

“Well we both hate nature and prefer metropolis sites.”

“What would we do there?”

“Go to the beach, maybe take some lessons in a samba school, eat out every night. We’d make it coincide with their Pride parade.”

Conversation paused as the server returned with Darryl’s drink and started again with her leaving.” Who would cook?”

Morgan leaned back in his chair, staring out the window. “We’d eat out, I hate cooking.”

“We can’t just spend money like that while I’m still getting on my feet.”

“Well then we’d eat out with my money and we’d use your money for rent and utilities.”

“But then what do I get to spend?”

“My money.”

“I’m not comfortable with that either.”

Morgan adjusted how he was sitting as the server returned with Darryl’s drink. “Fine then, separate bank accounts.”

“Whose parents would we see on the holidays?”

“Most likely yours because my parents wouldn’t be talking to me.”

Darryl leaned forward. “So you actually figured out everything from vacations to which set of parents we’d see?”

Morgan nodded. “I was depressed. I ate a bag of chips that afternoon. A whole bag.”

“At least I could get your pants hemmed for you.”

“What do you mean?”

Darryl considered the comment, what would come of it, and decided it was time. “All of your pants are hemmed short.”

Morgan kicked out a leg and measured with his eye how much sock was visible. “Are my pants hemmed too short?”

“Have you been taking them to the Sui Chou?”

“No, I’ve been taking them to my own girl.” Morgan shifted his foot out in front of the table staring at his ankle. He almost tripped a CEO-looking gentleman on his way to the door. The man stared at Morgan who stared at his ankle whose polyester pattern stared at Darryl.

“How many kids would we have? Did you think of names?”

Morgan was still staring at his ankle. “We wouldn’t have children.” He looked up to catch the grin fading back into Darryl’s face.

“How could we not have children?”

“We’d what, adopt a small Nigerian child we’d name Johnathan and have him running around while we try and teach him English? I already imagined this conversation and you agreed, no kids.”

“Well we need to re-imagine it for my benefit because I don’t see why I’d ever agree to that.”

“We wouldn’t be making enough money until we were in our mid-thirties and you agreed that mid-thirties would be too late to be chasing around after a child. You said it’d be bad enough to have two gay white dads, worse if we were both old.”

“Well regardless of how smart Gay Darryl is, I want to have kids.”

“And I would say no.”

“Well this would be a break-off point for me.”

“No it wouldn’t, your break-off would be points would be if I put writing a novel above our financial security or if I bought an American car.”

Darryl looked back to his knuckles, the space between the second and third that was flaking, that itched.

Morgan played with his cuff. “What?” Darryl’s finger hovered over the patch, his nail prepped for scraping, but he folded his hands instead.

“I haven’t talked to Najya in two weeks.”

Morgan stopped playing with his cuff. “When is the wedding?”

“In five weeks.” They kept staring into their respective areas of dead space: Darryl, his knuckles; Morgan, Darryl’s forehead.

“The kid-thing just . . . now of all times. Eight months ago would’ve been the time but I guess it just never came up.” Darryl leaned back into his chair and looked out the window, squinting in the noon sun that fell through the air to the floor. “After you explained our holidays I thought this might not be such a loss anyway.” Darryl waited for his grin to evaporate before bringing the glass to his lips. Their silence was overtaken by the talk of other customers, the noise of traffic issuing from the open door, and the chatter of ice inside their cocktails. Darryl watched the traffic. Morgan watched Darryl.

“I’d ask if you had tried talking to her about it but it seems like a stupid question.”

Darryl placed his drink on the table and scratched his knuckle. “You’d said that thing before about it not being easy to find what I had with Najya. Well apparently I didn’t even have it.”

The server returned and before she could ask anything Morgan interrupted. “Would you like to go out sometime?”

She seemed to consider her response. “I’m not interested in being anyone’s experiment.” She placed the bill on the table, picked up their drinks and walked back to the bar.

Morgan looked at Darryl and shrugged. “I thought it might make you feel better.”

Darryl stared out the window. “I haven’t found anything that’s made me feel better in two weeks.”

Without saying anything, they slowly stood up and looked at the bar. Then to the front door. Darryl buttoned his suit jacket while Morgan took out a few bills and pocketed their bill.

Morgan looked up from his chest. “Well . . . since I won’t be seeing Choice-grade anytime soon . . .” and grinned.

“I suppose there’s always Sao Paulo.”

Darryl pushed his chair in while Morgan walked to the door, wondering out loud if there might be any children to adopt along the sandy sidewalks and sun-filled fronds.

It’s the details that kill us, isn’t it. The peanut crumbs. We send out our hopes, they flip, and everything we expected is turned to ash in our mouths and smoke in our eyes and there’s nothing left to do but pay the tab.

Speaking of tab I’ve gotten Serge to start one for you, but if you’d like to pay tonight that of course is perfectly fine as well. And one last piece of advice before I leave you for the evening:

Get your pants professionally hemmed. They’re an important detail.

Saturday, April 9, 2011

Is This Your First Time Here? . . .

Good evening, my name is Huford. I don’t believe we’ve met before. I’ve worked here for some time now and I know faces but I don’t know yours, and that leads me to think that tonight is your first night at the Bonne Nuit. And of course I would remember a face as distinguished as yours. We’ve had a lot of distinguished faces in this place, between the vases and the building stages, but yours is the kind I’m sure I’ll remember. Distinguished faces have a way of returning here.

And I don’t care if you think it’s pronounced vawwwwzze. A decidedly Greek woman who came here on a rainy evening (what a Greek is doing in a French lounge I haven’t a clue, she must’ve tried everything else already) and she herself, born on an olive orchard—as her story went— said it was pronounced v-A-s, and all the people who said it the other way were self-important Americans who should really be calling them urns if they’d like. “It rhymes with face,” she said. And then she kept talking until three in the morning and the only thing she ordered was a taxi. I have a thousand stories like these.

You see, I’m something of a permanent fixture in the Chateau. Been here for ages. Part of the walls. And I’ve been part of the walls through all the different paint jobs, the remodels, removing the awful floral wallpaper, putting in that glass window you see on the front, the terrible first three weeks it read Chateau Bonne Oui, which a lot of people said wasn’t a completely awful name but you can only imagine the owners disgust at it. Benjamin Yerczek—a Hungarian who spent a little time defending French borders and then fled to America and decided to open a French restaurant. His story is all very kitsch but I suppose he’s kept me in electricity all these years, and light conversation with a couple of transient, distinguished faced people such as yourself. Some might think it’s torturous but really I think it’s quite wonderful, something that comes quite naturally, likely built into me most likely.

I must say you remind me of someone but I can’t put my finger on it. When you walked in the door and Julienne seated you I swore I had seen you before, but I could hardly think of where. And even now, in moments when you tilt your head in this light I get these flashes and I don’t quite know what to think. I’m sure it will come to me. Memories come as the brain relaxes: the next time you forget something, think about something entirely different. You’d be surprised how quickly the thing you want to remember comes back to you. I use this trick all the time. People come in here wanting a story and I have so many that sometimes they get jumbled together. (And between you and me, some stories are just more interesting that way. But of course I wouldn’t do that to you, distinguished looker that you are. I save those tricks for the men that come here with loose ties who reek of apertif and who could give a damn about a good story, they just want to wallow in something. And the female equivalent of a loose tie is a loose tongue, and I quite frankly can’t be bothered to fight trying to tell a story.)

. . . I forgot what we were talking about . . . Well as I say, forget it and it shall return to you. It’s a trick I use. But how to forget it, that’s the question . . . one of my favourite topics actually are the dings that you see around this place—hardly noticeable, Benjamin does a fantastic job of looking after everything here, but there are a few noticeables that have been dinged or scraped by a good story.

For instance, the stain in the corner—if you look past the beam in your way you can see it—well, let’s just say that it involved a sailor and his wife and that it isn’t wine, if you catch my meaning. And there’s a divot caught in the wood along the window sill over along the edge which has been here for ages which Benjamin won’t fix because it was made by a saxophinist by the name of Illinois Jacquet back in the late 50’s. I can’t be bothered with things like music so I had heard of him until he walked through the door to play one Valentine’s evening here. In the throws of a particularly active solo—saxaphones are likely to take solo’s such solos—he turned and knocked his little horn right into the wall there, right along the edge of the window. Two inches to the left and he would’ve taken out the glass. Three weeks after the show he came back and thanked Benjamin because somehow the knock changed the sound of the horn and Mr. Jacquet was quite fond of it, so Benjamin never fixed the ding in the wood. His wife even had to talk him out of putting a commemorative plaque alongside it. She found it slightly gauche, and I quite frankly would have told him the same, but these things take a wife. And then of course there’s the dent in the front doorframe–

That’s it. I remember what we were talking about now. But I was wrong. I’m sorry, let me include you: I was saying you remind me of someone. But you don’t remind me of someone, you remind me of a story, and it’s that story, the dented doorframe. And it’s your hair, something about how it’s parted, you might want to go to the bathroom and look at it because this is one of my favourite stories of this place and I love telling it so go take a break or whatever you need because it would be absolutely horrendous to stop me in the midst of it.

You see what I mean about forgetting it and it coming back to you? I could patent it, sell it to old-folks homes and late-night doctor’s offices and make a fortune.

This was some time ago, though I couldn’t give you an exact year. You see, back in the days of Golden Cinema, and I mean the real Golden years, when the actresses were all dying their hair as close to white so it would look emphatically blonde on screen, the Bonne Nuit was quite the hotspot for several of those years. And you’d see everybody here: writers, agents, directors, producers, actors. That was the death of the whole thing, really, because word got out and then no one could show up without being harrassed by someone pushing a pen for an autograph or worse. I mentioned gauche before, but I’d see every kind of social and cultural abondonement from these people. But this was later on. Initially, it was more like what painters went through in the 60’s, that sort of refined graceful period where they could walk around and talk to their fans, before the hysteria of fame set in and they were just worshipped for their work instead of admired for it.

So this night I’m talking about was dark. Unusually dark, you could see the lights from downtown clear through these front windows, and cars headlights would streak pass the front window and stain the glass and the eye for a few seconds after passing. There was some kind of anniversary happening for the Grauman’s Chinese theater, and even though we’re no where near the thing Benjamin had the idea to put up these awful red Chinese lamps around the store. A way to ingratiate the film industry types I suppose.

It was tastefully done at the very least, so the walls and the tablecloths were all dressed in a tender red light that let the men look distinguished and the women much more dramatic and less cosmopolitan. The Bonne Nuit was relatively empty as I remember it, there was a couple in the far corner of the restaurant, another along the wall, and a man at the bar. Whatever conversation was going on was light, and it looked like it was going to rain. It was that kind of darkness she walked in from at a quarter to midnight.

I’d hardly expect you to have ever heard of her, so I feel mentioning her name would hardly be eloquent and I’d hate to appear like someone who drops names. Suffice it to say that at the time she had been having some small success, and the word around the Bonne Nuit was that she was sure to become the next major star alongside Hepburn and Garbo, but she never did. She walked into the lounge sometime before or after midnight, dressed in a simple cream dress, wearing the mink scarf that must have been passed around the studio because everyone seemed to be wearing the same one, and a hat to match her dress that she’d tipped slightly to show her blonde hair that curled around her neck and came around the right shoulder down to her breast. She couldn’t have walked more than ten-steps that day in the shoes she was wearing, and I now imagine she had gotten her driver to wait for her outside, five steps away, waiting for her to finish her errand for the night because to expect her to walk anywhere more than five feet in those shoes would be analogous to . . . well the sidewalk would hurt her feet.

Anyway, the server boy asked if she would like a table and she waved him off, saying something about the bar, walked into the middle of the lounge and stopped. The two couples, the one in the corner and the other along the wall, stopped talking and watched her. She seemed to be preparing something, going over it in her head, like script lines or instructions for washing her mink scarf. She was meditative. But then her face relaxed, she applied a smile as elaborately coiffed as her hair, and she walked to the bar and stood beside the man who had been drinking alone for the last two hours, leaning her arm along the bar and waving to the bartender. She ordered a gin fizz, a single, and while the bartender busied his hands, she turned to the barfly who kept looking at his reflection in the counter.

“I had my first gin fizz with you. Do you remember?” He kept staring at his reflection. “I remember. It was at Eddie’s downtown and you had to carry me out at the end of the night.” The bartender’s vigorous throttling of the cocktail shaker cut her off, and she took it like she would’ve taken any interruption, with a perfectly disguised disdain that noted to everyone how obviously rude they were being and how adroitly polite she was. The bartender poured the glass, placed it in front of the madame, and went to the far end of the bar to polish the already well-lacqured counter.

“What are you drinking tonight Bernie? I can’t say I’ve ever seen you drinking that before.” The barfly, Bernie, said something only she could hear, though the two couples and myself included were all ears across the lounge. “And how many Singapore Slings have you had tonight?” She watied for his answer and got none. “It strikes me as a comfort drink. I’d never known you to have a need to be comfortable. But I guess there are several things I didn’t know about you. And several things you didn’t know about me.” She took a moment to purse her lips at the edge of the glass, took in not enough to fill the space between her molars, and swallowed the liquor along with the ruse. She kept the cup in her hand, tapping her fingers lightly to keept each from getting too cold.

“I don’t like to admit this to people, but I prefer it when I have large amounts of ice in my drinks, but that’s not the bartenders preference here. But I discovered a trick. When a bartender wants to slow down a man’s drinking, he’ll start putting more and more ice until there’s hardly any alcohol left at all. Just a cup of ice. And who would want to drink something like that?” Again she lifted the cup to her lips, drank a teaspoon, and placed the glass back on the counter, tapping once for good luck on the counter top and then placed it on the coaster. “Does that sound familiar Bernie?”

It was difficult to tell if Bernie said anything or remained silent, both from the quiet and from the absence of a reaction from the actress.

“You see, when I look in your glass, that big ol’ ice cube is floating, but just barely. It’s an artform, I mean a real talent to for a bartender to know how to get the balance just right so the drink is just the right amount of alcohol and just the right amount of cool. Of course, you’re probably good and zingered by now so what would you care.” She tipped her glass back, tapped it on the counter, placed it on the coaster. “But for the good people out there, it’s important Bernie. They don’t want a drink with a lot of ice. They want their liquor. They feel cheated otherwise.”

Bernie the barfly didn’t move.

“And being cheated is an awful thing. I think we both have an understanding of that feeling now.”

Everyone, from the bartender to the couples, probably to the wallpaper to the carpet, was expecting the barfly’s head to snap toward her and to either spit alcohol or fire in her face. It was the tension in the room. But he sat there, staring at the counter, waiting for the last line of dialogue so he could do what he always did, decide what to cut and what to keep, and given the nature of the situation most would end up on the floor anyway.

“I’m wondering if you’ve figured out while you’ve been sitting here floating around in your glass that people didn’t come for you, they came for me. And they got a taste and they’ve haven’t been able to get enough of it. And there ain’t a drink out there where anyone gives a shit about the ice.” She leaned in next to his cheek, her blond curls rubbing the side of his face. “So while all these people have been coming around and lapping me up, I’m wondering if you ever put any thought into how little of me would there have to be left until you couldn’t float around anymore.”

She paused. Slowly pulled back. She kept her eyes on the barfly while she took her drink in hand, took another sip, tap, and placed it on the counter half-empty. She placed a tip worth fifty times the drink beside the coaster and closed her purse, staring, waiting for a response.

She turned towards the door.“Keep cool, Bernie.” And started walking.

The couples watched her walk to the doorway, her smile gone, her face stiff as plaster and porcelain. Three feet from stepping into the street, a block of ice smashed into the doorframe and shattered in the tender light of the chinese paper lamps. The actress turned and found the barfly sitting in the same position he had been in for two hours, his glass empty, his hands dripping. She turned back towards the door, and the shards of ice snapped beneath her shoes. When she opened the door it smelled like rain, but it was as dry outside as the bottom of an umbrella.

She did her best to make it in the film industry but I suppose it just wasn’t enough, and the barfly kept working in the directors chair until he drank himself clear to a coma. That’s the joy of serving people in the film indusry, everything’s so dramatic. I hope you don’t take offense to my comparing you to that story, now that I look at you I’m not sure what made me think of the comparison in the first place. Your hair’s perfectly fine the way it was, in fact I liked it better than that what you went and did with it now.

Looking at the time, I must apologize. You came here for a night alone and I’ve gone and talked all the way through your cocktail. Allow me to give you a reprieve from my babbling, at least for tonight. As I said before, faces such as yours have a way of showing up here again. And if you didn’t like that one, I have more stories of all shapes and colours.

And before I leave you, remember the forgetting trick.